(…part of my continued conversation with Jason Simanek, following up on his post at bohemianalps.com where he posted “Fine Art in Museums: Tigers in Zoos“)

I am lucky to have an assortment of art to cover the walls in my home. I don’t own a Pollock or a Warhol – most of it is work done by friends or myself. On the rare occasion when we have guests over, I think it is interesting to give people a tour of the house and see what artwork – if any – people respond to. If the home is the “natural habitat” for art, then perhaps the response people have to art in this context is more authentic than it would be in a museum. Here is what I have observed…

When confronted with art unexpectedly, most people will say something safe like, “Did you do that?” or “I love all your artwork.” They are very careful to avoid directly interacting with the art on my walls. The exception is photography, especially photos of our family which aren’t art at all. These responses sounds like, “Look how young you guys were,” or “what kind of camera do you have?”

If “religion and politics” are the top two topics that people try to avoid talking about in polite conversation then art has to be a close third. I think art is intimidating to non-artists. That is the only way to explain the popularity of mass-produced reproductions and non-interactive visual junk. People are afraid of empty walls – but they are just as afraid of walls that make any kind of statement. Paint it beige and hang a Georgia O’Keefe print and nobody will ask any questions.

A few years ago I had an art show where I created prints of different faces of Jesus Christ that I scanned and enlarged from old Sunday School posters. (Thank you for coming to that show, Jason, by the way. It meant a lot to me to have you there.) Anyway, one of the more memorable pieces from that show was a 4 foot wide print of Jesus with a crown of thorns and a somber expression. Needless to say, it has made quite a statement hanging above our dinner table in the kitchen. The surprising thing is that this print hasn’t started any real conversation outside of Betsy persuading me to move it down to the basement. Perhaps, the subject matter is too intimidating. Frankly, I think it is kind of funny to sit under a 4 foot photo of Jesus’ face and pretend it isn’t there. That metaphor might be stronger than what I had in mind anyway.

Sometimes “art” feels irrelevant in the same way that I struggle with organized religion. People just prefer to ignore it. I think that is sad, because both art and Christianity have the power to rise above the mediocrity of everything else. It is much easier to ignore the meaningful things in life and embrace the “safe” stuff. As a result the kitsch rises to the top and things with substance get attacked – or worse yet ignored – because these things are uncomfortable. The people who create and have passion for them seem absurd because they have the guts to be different. People don’t have time to wrestle with deep thoughts when there are simpler ways to entertain themselves. Why would anyone want to stifle an endless stream of gratification by confronting things that aren’t easy to understand or appreciate?

With that I will toss it back to Jason’s blog. This one ended on a dark note, so next time I will try to focus more on the positive, I promise…

My dad has been getting some recognition for his sculptures lately, so I thought I would brag about him a little bit…

The story of my dad’s sculptures is in many ways the story of what it means to be a Christian and an artist. The reality of our culture is that Christianity often gets marginalized when it comes to “relevant” issues. Most of us are aware of the separation of church and state, but the church is separated from more than just government. Unfortunately, church has also been separated from the artistic community. If you attend my church you may wonder if there are many things that it actually is connected to. That’s a rant for another day, but my point is that being an artist and a Christian can seem like an invitation to not be taken seriously. So to see my dad being recognized for his artistic abilities as well as his Christianity feels like an amazing achievement. Listen to my dad’s interview on NPR to understand what I am talking about:

Interview with Adrian Hanft, II on Nebraska NPR show, Friday Live NET Radio (5.75mb)

It takes an amazing amount of determination to decide to carve in granite. With much softer stones available you really need to be committed to the task if you are going to carve granite. The dust is toxic, the tools are expensive, the stones are heavy and dangerous, and it takes a long time to complete a sculpture. Why would anyone voluntarily do this? The crazy thing is that deciding to become a pastor is an equally absurd decision. The pay is low, church politics are bitter and petty, and society has all but written off the church as irrelevant. Why would anyone voluntarily do this?

From the outside my father’s decision to be a pastor and a sculptor may seem hard to understand, but the reason is actually pretty simple. This is just who my dad is. The fact that his chosen task is difficult doesn’t even register on my his radar. He is just doing what he was meant to be. More than being true to himself, this is who God created my dad to for.

As I write this I understand for the first time a verse that says “My yoke is easy, and my burden is light. When you live a life that is in alignment with God’s plan for you, your challenges won’t be a burden. In fact, you will actually find joy in the trials you face. Joy is exactly what will surprise you when you hear my dad talk about his work. You won’t hear my dad complaining or bragging about the challenges involved in his work. All you will hear is his joy as he talks about the process. I truly admire my dad for accepting the role that God has chosen for him.

If you are interested in seeing some more of my dad’s sculptures, you can go to stonesofscion.com.